On The Interpretation Of The Melodies Of Claude Debussy
The grand and noble traditions of interpretation disappear, are quickly damaged. That is why it is so important to be able to rely upon your testimony and your experience, you who had the immense joy to premier, accompanied by their author, and to interpret so often the vocal works of our great Claude Debussy, our dear Claude de France.
From the letter preface by Darius Milhaud
Jane Bathori was a catalyst for as well as interpreter of the works of many French composers. In 1904, she met Claude Debussy, played some of his piano pieces for him and sang several of his songs. Their discussions were the basis for her 1953 book, On the Interpretation of the Melodies of Claude Debussy which she resolved to write after having heard Debussy’s intentions betrayed so many times, and also to encourage singers . .. to study some of the songs which are not known and are never sung, the excuse being that they are so difficult to interpret.
Linda Laurent, translator and annotator, is a pianist of repute.
LINDA LAURENT, pianist and musicologist, is a graduate of the Oberlin Conservatory, The Juilliard School, and New York University. Her thesis on the interaction of the singer Jane Bathori with Debussy, Ravel, Satie and the Groupe des Six was followed by several publications on related topics. In 2000 she was invited by American soprano Dawn Upshaw to give the pre-concert talk for her recital, Hommage пїЅ Bathori, at Lincoln Center. The following year she presented a paper at the annual conference of the Association franпїЅaise des professeurs de chant (AFPC) devoted to La MпїЅlodie franпїЅaise пїЅ travers ses interprпїЅtes dпїЅdicataires. She is presently completing a book of the correspondence between Bathori and the actress AndrпїЅe Tainsy. Dr. Laurent is a full professor at Central Connecticut State University, and the pianist of both The Rosa-Laurent Duo and The Connecticut Trio.